Johannes Pramsohler, Philippe Grisvard – French Sonatas for Harpsichord and Violin (2018)
FLAC (tracks) 24 bit/48 kHz | Time – 01:56:04 minutes | 1,40 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Audax Records
Sonatas for violin and obligato harpsichord by Guillemain, Mondonville, Corrette, Duphly, Marchand, Balbastre and Clément. Powerful, elegant, and refined – In 1740, with the op. 4 of Jean-Joseph Cassan a de Mondonville, a new genre appeared on the scene in France, a genre that was to fundamentally overturn the relationship to the harpsichord – until then a continuo instrument when it was not playing alone: the Pieces de clavecin en sonates avec accompagnement de violon.
Contrary to what the title might suggest, the two instruments engage in a dialogue as equals. Unknowingly, Mondonville imitated the Sei Suonate Cembalo certato e Violino solo that Bach had composed ten years earlier. Moreover, he introduced a thoroughly Italian flavour – certainly an echo of the concertos by Corelli and Vivadli that at the time were often heard at the Concert Spirituel. The following decade then experienced a veritable rage for this form: Corrette, Guillemain, Balbastre, and others put their visions of the theme on paper – each in a very personal manner.
The “Dream Team” (Early Music Review), made up of the two indefatigable researchers Philippe Grisvard and Johannes Pramsohler, has rediscovered this neglected part of the violin-harpsichord repertoire and now presents a captivating selection of the genre’s best works in world premiere recordings on an opulent double album.
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Johannes Pramsohler, Ensemble Diderot – Concertos pour violon (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:10:11 minutes | 1,27 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Audax Records
France’s contribution to the genre of the Baroque solo concerto seems late and tentative, but it is fascinating to see how French composers celebrated the arrival of the violin and combined Italian robustness and French elegance in their works. Johannes Pramsohler and Ensemble Diderot take a journey to the origins of this hybrid form, presenting here the very first violin concertos by French composers, with two world-premiere recordings of concertos by Jean-Marie Leclair and Andre-Joseph Exaudet at the heart of this virtuosic and exciting programme.
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Johannes Oerding – Alles brennt (Bonus Live Track Version) (2015)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:10:11 minutes | 779 MB | Genre: Pop
Studio Masters, Official Digital Download | Front Cover | © Columbia
This is simply a vision that you, as a musician, carry in you for a long time: to play in front of the widest possible audience. It was only a matter of time before the outspoken live junkie, who has again played around the 250 mostly sold-out shows in the past two years, would record one of his concerts for eternity. Because if Oerding had the choice between an ECHO and a sold-out tour, it would be clear the tour. He just burns to play live and to spend unique, intimate nights with his audience and absolutely everyone who has experienced it will be glad to have something against the withdrawal symptoms: With Live in Hamburg Johannes Oerding brings the first one.
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Johannes Müllers Jazz Mile – Gloomy Smokey Light (2016)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:06:08 minutes | 728 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Personality Records
Johannes Mueller JAZZ MILE invites us on a historic musical excursion to one of most impulsive places in jazz. It is 9:48 PM and we saunter through the smoky Frenchmen Street in the French Quarter of New Orleans. Faraway, you can hear the sound of a saxophone, carrying the melody and being rhythmically supported by the contrabass and the drums. More sides appear, this time a trumpet and a piano. As we arrive in front of Snug Harbour, a very traditional jazz bar, we recognize, through the gloomy light, Johannes Mueller on the saxophone with his band JAZZ MILE on stage in his favourite bar. It could have been occurred this way or in a similar way.
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Johannes Moser, Alasdair Beatson – Mendelssohn & Mendelssohn-Hensel: Works for Cello & Piano (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:15:56 minutes | 1,31 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © PentaTone
German-Canadian cellist Johannes Moser and Scottish pianist Alasdair Beatson present a moving portrait of the Mendelssohn family with this recording of pieces by the siblings Felix and Fanny. Once composed for the popular Sunday Sessions at the Berlin Mendelssohn family house, these works fit into the typically nineteenth-century tradition of domestic music-making, albeit at the highest thinkable level. Beatson plays an 1837 Érard fortepiano, identical to the instrument that belonged to the Mendelssohn household when these pieces were composed.
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Johannes Moser – Lutosławski & Dutilleux: Cello Concertos (2018)
FLAC (tracks) 24 bit/96 kHz | Time – 53:50 minutes | 917 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © PentaTone
This album features cello concertos by Witold Lutosławski and Henri Dutilleux performed by the multiple prize-winning German-Canadian cellist Johannes Moser and the Rundfunk-Sinfonieorchester Berlin, conducted by Thomas Søndergård. These works, premiered in 1970, are two of the biggest gems of the twentieth century, the golden age of the cello. While equally virtuosic and engaging, both pieces showcase different aspects of the musical landscape of the late twentieth century. Lutosławski’s concerto explores the possibilities of chance composition in the form of a duel between the solo cello and a ferocious orchestral accompaniment, in which the individual ultimately prevails. In comparison, soloist and ensemble work together more smoothly in Henri Dutilleux’ “Tout un monde lontain”. In this “cello concerto”, the composer invokes a mystical “world from afar”, inspired by Baudelaire quotes and full of allusions to French musical greats such as Debussy and Messiaen, while simultaneously sounding unmistakably Dutilleuxian.
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Johannes Haage, Drift – Darwin’s Blues (2019)
FLAC (tracks) 24 bit/44,1 kHz | Time – 23:48 minutes | 237 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Shoebill Music
Darwin’s blues is the second album of the Berlin trio around the guitarist Johannes Haage. After organizers the tape over and over again like his debut record (“DRIFT”, in 2016) announced she has assumed since some time officially the name DRIFT.
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Johannes Fleischmann – Exodus: The Men Who Shaped Hollywood (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 01:16:18 minutes | 1,43 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © Odradek Records
The ‘Viennese Violinist’ Johannes Fleischmann gives heartfelt and deeply insightful interpretations of the music of Erich Korngold and Eric Zeisl, Viennese composers who escaped the rise of Nazism by journeying to America shortly before the Second World War. Once there, both composers adapted their talents to the world of Hollywood, becoming defining voices in the golden age of Hollywood movie scores. 2020 marks the 70th anniversary of the premiere of the ‘Brandeis’ Sonata by Eric Zeisl, heard on this release alongside Korngold’s Violin Sonata. Johannes Fleischhmann is joined on this album by pianist Magda Amara and, for Korngold’s song ‘Schneeglöckchen’, by baritone Gunter Haumer.
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Johannes Enders, Rainer Böhm – Kokoro (2021)
FLAC (tracks) 24 bit/44,1 kHz | Time – 57:37 minutes | 503 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Yellowbird Records
johannes enders describes himself as an optimistic melancholic, romantic and soulful he calls the music played in the acoustic duo with rainer boehm. Both have known each other for a long time, both now teach as professors of their instruments, both recorded in a duo a good decade and a half ago and have met again and again since then. saxophonist enders appreciates the pianist böhm that despite all his virtuosity he has not forgotten how to serve the overall picture. he does not have to take the lead with his instrument, but can also let the other take the lead. “I am the melody and he is the orchestra”, sums up johannes enders.
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Gewandhausorchester, Riccardo Chailly – Brahms: The Symphonies (2013)
FLAC (tracks) 24 bit/96 kHz | Time – 03:53:58 minutes | 4,21 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Decca Music Group Ltd.
This comprehensive overview of Brahms’s orchestral works includes several rarities, among them world premieres of two piano intermezzi orchestrated by Paul Klengel (brother of the Gewandhaus’s long-standing principal cellist Julius Klengel) and the original first performance version of the Andante of Symphony No. 1 and the even rarer revised opening of the Fourth Symphony.
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Johanna Summer – Schumann Kaleidoskop (2020)
FLAC (tracks) 24 bit/44,1 kHz | Time – 37:50 minutes | 324 MB | Genre: Jazz
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © ACT Music
Pianist Johanna Summer draws a wide spectrum across seven pieces from Robert Schumann’s “Album for the Youth” and “Kinderszenen”. With classical playing culture and the freedom of jazz.
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Johanna Samuels – Excelsior! (2021)
FLAC (tracks) 24 bit/96 kHz | Time – 37:42 minutes | 775 MB | Genre: Folk
Studio Masters, Official Digital Download | Front Cover | © Basin Rock
“Before making this record, I was feeling the furthest from myself that I ever had.” Reflecting on her forthcoming album Excelsior!, Johanna Samuels continues, “There was a lot of cognitive dissonance—wanting to pursue my music while also being able to feel good about who I am as a person. This record is a lot of me identifying what I don’t want to be.”
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Johanna Rose – Histoires d’un Ange (2019)
FLAC (tracks) 24 bit/96 kHz | Time – 01:00:00 minutes | 1,15 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © RUBICON
One of the most peculiar features of the arts in the lavish Versailles court of the Sun King was his conservatism. His instrumental music produced a series of dances during decades, the so-called suites, of unchangeable composition, barely reminding us of old rhythms like the gallarda or the pavana which made room for novelties such as the gigue or the sarabande, installed from then on for future decades.
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Johanna Martzy – Schubert & Dvořák: Works for Violin (Remastered 2017) (2017)
FLAC (tracks) 24 bit/48 kHz | Time – 01:04:05 minutes | 557 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Jube Classic
In an essay Glenn Gould referred to Johanna Martzy as “an artist who has always seemed to me to be, at least in North America, the most underrated of the great violinists of our age.” – And indeed it has only been a few years that Johanna Martzy’s all too few recordings have made a spectacular revival, so that now she has a place among the great violinists of the 20th Century – a place she really deserves. This albums presents two Sonatines by Franz Schubert in which Johanna Martzy is accompanied by her long-time pianist Jean Antonietti and finally the great Dvorak Violin Concerto accompanied by the RIAS Symphony Orchestra Berlin conducted by Ferenc Fricsay, recorded in 1953, which is the reference work on this album.
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Johanna Klein Quartet – Cosmos (2021)
FLAC (tracks) 24 bit/88,2 kHz | Time – 47:56 minutes | 871 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © BERTHOLD Records
Johanna Klein (saxophone), Nicolai Amrehn (bass), Leo Engels (guitar) and Jan Philipp (drums) are all based in Cologne and have known each other for many years. Together as the Johanna Klein Quartet, they move between modern jazz and free improvisation, whilst also incorporating elements of pop and rock. Through the playful balancing of the compositions of the bandleader with a healthy amount of improvisational freedom, the band has developed it’s sound over many years; a sound that is specific and focused, yet occasionally unpredictable. Their debut album COSMOS successfully and succinctly documents this musical vision and will be released in 2021 on BERTHOLD records.
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