Massimo Farao Trio – How My Heart Sings (2018) [Japan] SACD ISO + Hi-Res FLAC

Massimo Farao Trio – How My Heart Sings (2018) [Japan]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 57:54 minutes | Front/Rear Covers | 2,34 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,10 GB

Massimo Farao’ is a wonderful Italian pianist who has played and recorded with Red Holloway, Albert “Tootie” Heath, Tony Scott, Franco Ambrosetti, Nat Adderley, Jeff Tain Watts, Jack DeJohnette and Chris Potter, among others. Farao’s passionate style and stoic romanticism are very attractive along with the rich harmonies he creates.

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Massimo Farao Quartet with Accademia Arrigoni’s Strings Orchestra – On A Clear Day (2021) SACD ISO + DSF DSD64 + Hi-Res FLAC

Massimo Farao Quartet with Accademia Arrigoni’s Strings Orchestra – On A Clear Day (2021)
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 51:37 minutes | Front/Rear Covers | 2,08 GB
or DSD64 Stereo (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front/Rear Covers | 2,04 GB
or FLAC (carefully converted & encoded to tracks) 24bit/96 kHz | Front/Rear Covers | 1,19 GB

Massimo Faraò, who is from Italy, first visited the United States in 1983 when he played with Red Holloway. In Europe he has since worked with many top performers including Tony Scott, Jesse Davis, Franco Ambrosetti, Nat Adderley, Jack DeJohnette and a notable tour in 2007 with organist Joey DeFrancesco. Even with all of that, it is as the leader of his own trio that he really shines. Farao’s passionate style and stoic romanticism are very attractive along with the rich harmonies he creates. For this release his quartet features Davide Palladin, Nicola Barbon and Roberto “Bobo” Facchinetti, accompanied with Academia Arrigoni’s Strings Orchestra, conducted by Bruno Cesselli.

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Massimo Farao’ Double Piano Quartet – The Masquerade Is Over (2017) [Japan] SACD ISO + Hi-Res FLAC

Massimo Farao’ Double Piano Quartet – The Masquerade Is Over (2017) [Japan]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 56:01 minutes | Front/Rear Covers | 2,27 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,15 GB

Jazz piano masters Massimo Farao’ and George Cables join forces for this Double Piano Quartet, with John Webber on bass, Jimmy Cobb on drums, and bassist Paolo Benedettini performing on the tune “If I Should Lose You”. Recorded at Rudy Van Gelder Studio!

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Massimo Farao’ & Aldo Zunino – Bohemia After Dark (2014) [Japan 2017] SACD ISO + Hi-Res FLAC

Massimo Farao’ & Aldo Zunino – Bohemia After Dark (2014) [Japan 2017]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 57:44 minutes | Front/Rear Covers | 2,32 GB
or FLAC 2.0 (converted with foobar2000 to tracks) 24bit/48 kHz | Front/Rear Covers | 604 MB

Italian pianist Massimo Farao’s popularity in Japan and elsewhere has been elevated since he started recording for the independent label Venus Records. Following his successful trio album Luiza comes an interesting piano-bass duo album with his musical partner, Aldo Zunino who has performed and recorded with Andrea Pozza, Francesco Cafiso, Tony Scott and Joey DeFrancesco.

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Masayuki Takayanagi & New Century Music Institute – Ginparis Session (1972) [Japan 2006] SACD ISO + Hi-Res FLAC

Masayuki Takayanagi & New Century Music Institute – Ginparis Session (1972) [Japan 2006]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 53:27 minutes | Front/Rear Covers | 2,15 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Front/Rear Covers | 1,12 GB

Masayuki ‘Jojo’ Takayanagi was a Japanese jazz / free improvisation / noise musician. He was active in the Japanese jazz scene from the late 1950s. New Century Music Institute is a translation of the Japanese 新世紀音楽研究所. Released in Japan as part of Three Blind Mouses’ label collection, this live album features “Greensleeves” by Masayuki Takayanagi, the monumental work in Japanese Jazz history.

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Masaru Imada Quartet – Standards (1977) [Japan 2006] SACD ISO + Hi-Res FLAC

Masaru Imada Quartet – Standards (1977) [Japan 2006]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 41:00 minutes | Front/Rear Covers | 1,66 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Front/Rear Covers | 905 MB

Masaru Imada is a Japanese jazz pianist and composer. For his seventh record for the Three Blind Mice label, Imada decided to do an all standards album with his regular trio. Imada’s piano style is straight forward and honest: He doesn’t emply any gimmicks or pyrotechnics. Yet, his performance is very swinging and has a singing character. While firmly rooted in the American jazz piano tradition, his voicings and time-feel are uniquely his own.

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Masaru Imada Quartet – Now (1970) [Japan 2007] SACD ISO + Hi-Res FLAC

Masaru Imada Quartet – Now (1970) [Japan 2007]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 38:46 minutes | Front/Rear Covers | 1,56 GB
or FLAC (converted with foobar2000 to tracks) 24bit/96 kHz | Front/Rear Covers | 927 MB

Masaru Imada is a Japanese jazz pianist and composer. “Now!!” was the second album released by the fledgling Three Blind Mice, and the pianist’s first leader album for the label. All four tunes are Imada’s original compositions. The two slow numbers – “Nostalgia” and “The Shadow of the Castle” show his lyrical, “quiet but emotional”, qualities. “Alter” is an adventurous tune whose focus is on free improvisation while “Gehi Dorian” is a modal composition as the title suggests.

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Nightwish – Virtual Live Show From The Islanders Arms 2021 (2022) Blu-ray 1080p AVC LPCM 2.0

Title: Nightwish – Virtual Live Show From The Islanders Arms 2021
Release Date: 2022
Genre: Symphonic Metal

Production/Label: Chaos Reigns, Ward Records
Duration: 01:44:59
Quality: Blu-ray
Container: BDMV
Video codec: MPEG4 AVC
Audio codec: LPCM
Video: MPEG-4 AVC Video / 24998 kbps / 1080p / 24 fps / 16:9 / High Profile 4.1
Audio: Undetermined / LPCM Audio / 2.0 / 48 kHz / 1536 kbps / 16-bit
Size: 20.71 GB

When Nightwish’s world tour was canceled due to the pandemic, the band wanted to offer fans something unprecedented. Half a year in preparation they put together an exceptionally ambitious production, the like of which had not been seen before. Fans were able to follow the band playing live in the astonishing 3D world, designed according to the band’s vision, while interacting with each other. Also, songs from Nightwish’s latest album ‘Human. : II: Nature.’ were played live for the first time. ‘An Evening with Nightwish in a Virtual World’ concert streamed last year across 108 countries to over 150,000 viewers.

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Gur Liraz – Squiggles (2023) [Official Digital Download 24bit/44,1kHz]

Gur Liraz – Squiggles (2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 44:12 minutes | 492 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Ubuntu Music

“Squiggles”, the third album from Israeli guitarist/composer Gur Liraz, which will be available from 19th May 2023.

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Gunnar Spardel – The Fade to Afterlife (2023) [Official Digital Download 24bit/96kHz]

Gunnar Spardel – The Fade to Afterlife (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 47:07 minutes | 879 MB | Genre: Electronic, Ambient, Modern Classical
Studio Masters, Official Digital Download | Front Cover | © Sun Sea Sky Productions

Neo-Classical Electronica Artist Gunnar Spardel finds comfort in music, as a way to contemplate life and death. In his introspective work, Spardel’s atmospheric music draws from nature and life itself, most recently portrayed in his upcoming album “The Fade to Afterlife”.

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Grischa Lichtenberger – Works for Last Work (2023) [Official Digital Download 24bit/44,1kHz]

Grischa Lichtenberger – Works for Last Work (2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 43:05 minutes | 425 MB | Genre: Electronic, Ambient
Studio Masters, Official Digital Download | Front Cover | © raster

Raster is thrilled to announce the release of »Works for Last Work«, an exceptional sonic and visual testament of Lichtenberger’s work on Batsheva Dance Company’s critically acclaimed piece »Last Work«, choreographed by Ohad Naharin. In addition to the originally composed music featured in the piece, the album offers an exclusive collection of sketches and tracks made during this collaborative period.

Lichtenberger’s »Works for Last Work« takes the listener on a journey through the soundscape of Naharin’s masterpiece, a piece that delves deep into themes of death, rebirth, and regeneration. The album features a blend of ambient, experimental, and electronic music, creating a concentrated and intimate sonic universe that perfectly encapsulates the mood and energy of the dance.

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Gretchen Parlato & Lionel Loueke – Lean In (2023) [Official Digital Download 24bit/44,1kHz]

Gretchen Parlato & Lionel Loueke – Lean In (2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 45:08 minutes | 660 MB | Genre: Contemporary Jazz, Jazz
Studio Masters, Official Digital Download | Front Cover | © Edition Records

A long-awaited collaboration between GRAMMY-nominated vocalist Gretchen Parlato and acclaimed guitarist Lionel Loueke, ‘Lean In’ tells the story of 20 years of connection, inspiration and friendship between two musical soulmates.

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Grateful Dead – History of the Grateful Dead Vol. 1 (Bear’s Choice) [Live] (50th Anniversary Edition) (1973/2023) [Official Digital Download 24bit/192kHz]

Grateful Dead – History of the Grateful Dead Vol. 1 (Bear’s Choice) [Live] (50th Anniversary Edition) (1973/2023)
FLAC (tracks) 24 bit/192 kHz | Time – 47:06 minutes | 1,91 GB | Genre: Rock
Studio Masters, Official Digital Download | Front Cover | © Grateful Dead – Rhino

This 1973 release was the very last collection that the Grateful Dead authorized during their tenure with Warner Bros. in the late ’60s and early ’70s. However, this live disc was a sort of melancholy affair, as it centered on material featuring Ron “Pigpen” McKernan (guitar/vocals/mouth harp), who had left the band due to illness in June of the previous year. History of the Grateful Dead, Vol. 1 (Bear’s Choice) is somewhat misleading, as a follow-up never came to pass. Band historians, however, claim that this release was optimistically titled because the label had hoped to issue a series of live recordings (à la Dick’s Picks) containing highlights from a variety of vintage Dead performances. Alas, with the formation of the group’s own label it was not to be. The single disc includes performances from a highly touted series of shows held over two nights (February 13-14, 1970) at the Fillmore East in New York City. While most assuredly not the finest example of the Dead’s formidable acoustic sets, the platter opens with a quartet of cover tunes — many of which had been entries in Jerry Garcia (guitar/vocals) and McKernan’s folky jug band repertoire prior to ultimately forming the electric, psychedelic Grateful Dead. McKernan’s playful cover of Lightnin’ Hopkins’ “Katie Mae” is a somewhat lightweight affair. He counterbalances ad-libbed lyrics with his own very sparse solo guitar picking, which is in perfect keeping with the lonesome nature of this blues. Garcia and Bob Weir (guitar/vocals) join in on the remaining “unplugged” tracks. Both the affective and noir “Dark Hollow” and “I’ve Been All Around This World” reveal the command of this highly under-utilized sub-division of the Dead. Clocking in at seven-plus minutes, the album’s sole original composition, “Black Peter,” is masterfully executed. It ultimately bests the original Workingman’s Dead (1969) version in sheer emotive realization. The two electric offerings — a cover of Howlin’ Wolf’s “Smokestack Lightnin'” and Otis Redding’s “Hard to Handle” — are full-blown rave-ups allowing the entire band to weave their collective R&B-influenced psychedelia, unedited and in real time. Both tracks had become assertive vehicles for McKernan’s no-nonsense R&B sensibilities. In 2001, History of the Grateful Dead, Vol. 1 (Bear’s Choice) was included in the 12-disc Golden Road (1965-1973) box set. The remastered edition comes replete with a newly inked 16-page liner notes insert containing an essay from the “Bear” (aka Owsley Stanley) himself. The expanded track list yields four additional performances from the same cache of shows: the McKernan-led “Good Lovin’,” “Big Boss Man,” a second and equally scintillating version of “Smokestack Lightnin’,” as well as an up-tempo “Sitting on Top of the World,” the latter of which keeps the frenetic spirit of the reading from the Dead’s self-titled debut firmly intact. – Lindsay Planer

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Grant Green – Sunday Mornin’ (High Definition Remaster 2023) (1961/2023) [Official Digital Download 24bit/44,1kHz]

Grant Green – Sunday Mornin’ (High Definition Remaster 2023) (1961/2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 41:16 minutes | 455 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © J. Joes J. Edizioni Musicali

Sunday Mornin’ is an album by the American jazz guitarist Grant Green recorded for the Blue Note label in 1961, and released the following year. Bassist Ben Tucker and drummer Dave Bailey return from Green’s previous album, joined by pianist Kenny Drew. The CD reissue adds a bonus track recorded at the same session.

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Grainne Duffy – Dirt Woman Blues (2023) [Official Digital Download 24bit/96kHz]

Grainne Duffy – Dirt Woman Blues (2023)
FLAC (tracks) 24 bit/96 kHz | Time – 35:08 minutes | 731 MB | Genre: Blues Rock
Studio Masters, Official Digital Download | Front Cover | © Blue Heart Records

Irish blues/rock vocalist, songwriter, and guitarist Gráinne Duffy announces her new album Dirt Woman Blues, set to release on May 19th via Blue Heart Records, produced by multi Grammy Award winner Chris Goldsmith (Blind Boys of Alabama, Ben Harper, Charlie Musselwhite) and Marc Ford.

The powerhouse roots artist Duffy releases the title track ‘Dirt Woman Blues’ in celebration of her forthcoming album.

Collaborating with blues-rock guitarist Marc Ford, best known as a former member of The Black Crowes, and her husband Paul Sherry who also plays guitar on the album, together they enlisted Gary Clark Jr’s Austin, TX rhythm section to round out the top-tier sound. JJ Johnson (drums, percussion-Black Crowes, Gary Clark Jr, Tedeschi Trucks Band), Elijah Ford (bass, keys Gary Clark Jr), along with Grammy-winning producer Chris Goldsmith, Jimmy Hoyson, Sam Goldsmith, John Ginty (keyboards) and Peter Levin.

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