Ron Carter – Finding the Right Notes (2022)
FLAC (tracks) 24 bit/48 kHz | Time – 01:12:42 minutes | 726 MB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © IN+OUT Records
This special PBS soundtrack includes live recordings filmed at the Newport Jazz Festival for Ron’s classic piece SOFT WINDS; a surprise bass duet session at The National Jazz Museum in Harlem with the enigmatic Christian McBride on WILLOW WEEP FOR ME; a session at the Blue Note with guitarist Bill Frisell on MY MAN’S GONE NOW; the first live performance of the two great bassists, Stanley Clarke and Ron playing BAG’S GROOVE, also at the Blue Note; and a joyful version of SWEET LORRAINE featuring Jon Batiste, released here for the first time.
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Ron Sexsmith – The Vivian Line (2023)
FLAC (tracks) 24 bit/44,1 kHz | Time – 33:16 minutes | 363 MB | Genre: Folk, Rock
Studio Masters, Official Digital Download | Front Cover | © Cooking Vinyl Limited
It’s not so much that Ron Sexsmith is underrated as just under-discovered. Although the Canadian singer-songwriter has duetted with Coldplay’s Chris Martin, won a Juno award, been produced by Steve Earle and Mitchell Froom, and been covered by Elvis Costello, Emmylou Harris and Rod Stewart, he’s never really broken through in the US in the way he should have. But if you know you know—and if you don’t, it’s not too late to dive into Sexsmith’s 35-year catalog; The Vivian Line, his 18th album, is a great place to start. Picking up on a running theme in his career, there are clear nods to Ray Davies’ more sentimental, tender moments (“Flower Boxes,” the jaunty “Ever Wonder”) as well as The Kinks Are the Village Green Preservation Society: “Country Mile” evokes that Britpop touchstone with a knowingly twee melody and strings-forward instrumentation, as well as the idea of pastoral beauty being a trap. “We could sit on the fence until the cows come home/ But life’s just passing by/ Doing our scarecrow dance beneath the great unknown/ All I’m asking is why,” Sexsmith croons. “A Barn Conversion,” meanwhile, is a smirking, jugband-ish lark about gentlemen farmers. Each honk and thump is crystalline; indeed, on the whole record, the mix is delightfully crisp. “What I Had in Mind” gently jangles as Sexsmith reckons with happily pursuing an artistic life when society expects conformity. (“Could never fall in line/ With the slave all day/ For minimum pay design.”) Its sweet-sounding companion, “Outdated and Antiquated” also marches to the beat of its own drum, with Sexsmith accepting how he “can’t seem to go with the flow, it don’t make sense/ I don’t fit in…But I’m relevant to myself.” “This, That, And the Other Thing” stands out with world-beat breeziness. “Place Called Love” is stripped-down chamber pop. “Diamond Wave” is upbeat, optimistic (“The sun was hiding under heavy cloud … but any doubts and second thoughts are gone”) and a little bit Jackson Browne. It all adds up to a pretty nice way to spend an afternoon. – Shelly Ridenour
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Rodrigo y Gabriela – In Between Thoughts…A New World (2023)
FLAC (tracks) 24 bit/48 kHz | Time – 32:55 minutes | 413 MB | Genre: Latin
Studio Masters, Official Digital Download | Front Cover | © ATO (UK)
Rodrigo y Gabriela’s eagerly awaited follow-up to 2019’s GRAMMY® Award-winning Mettavolution and first full-length collection in four years, In Between Thoughts…A New World arrives as one of the duo’s most revelatory offerings yet – a spontaneously composed unified work primed to bring about the same expansion of consciousness that inspired its creation. Self-produced by Rodrigo y Gabriela at their studio in Ixtapa, Mexico, the album – which sees the guitar duo expanding their traditional approach to include inventive electronic and orchestral elements – is heralded by first single “Descending To Nowhere”.
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Roderick Williams, Clare Hammond, Fidelio Trio, St Paul’s Sinfonia – Robert Saxton: Portrait (2022)
FLAC (tracks) 24 bit/44,1 kHz | Time – 01:09:38 minutes | 633 MB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © Metier
These works by Robert Saxton were written between 2013 and 2019 and represent his continuing journey of exploration in modal and harmonic structures; complex in structure but creating no jarring modernist difficulty for the listener. A mix of orchestral, chamber and vocal works, it features top performers including world-renowned baritone Roderick Williams and equally famous (and now film star) Clare Hammond. Robert Saxton received early guidance from Benjamin Britten and studied with Elisabeth Lutyens, Robin Holloway and Luciano Berio among others. He has received commissions from the BBC (TV, radio and Proms) and many prominent ensembles. Until retiring in 2021 Robert was Professor of Composition at Oxford University and is a Research Fellow of the Royal Academy of Music. Time and the Seasons, for baritone and piano, commissioned by the Oxford Lieder Festival for Roderick Williams and Andrew West, is a song cycle to Saxton’s own texts and is both cyclic and progressive. Suite for violin and piano, first performed at the 2019 Three Choirs Festival by Madeleine Mitchell and Clare Hammond, the performers here, charts a voyage across its five movements leading to a tentatively positive conclusion. Fantasy Pieces, commissioned by the Fidelio Trio, is inspired by Schumann’s Op. 88 as character pieces, regarding both genre and variety of manner. A Hymn to the Thames for solo oboe and chamber orchestra was commissioned by James Turnbull, the St Paul’s Sinfonia and its Music Director Andrew Morley and, during the course of its four linked movements, sets the soloist as both wanderer and river spirit in conjunction with the ‘river’ of the orchestra from source to sea.
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