Leon McCawley – Haydn: Piano Sonatas, Vol. 2 (2019)
FLAC (tracks) 24bit/88,2kHz | Time – 01:16:55 minutes | 1,03 GB | Genre: Classical
Studio Masters, Official Digital Download | Digital Booklet, Front Cover | © SOMM Recordings
McCawley’s admired first volume, pairing Haydn’s Sonatas and Variations (SOMMCD 0162), received a coveted Diapason d’Or for playing of “great intelligibility and sensitivity”. Sonata No.60 from Volume I has been selected by Diapason to appear on its next CD, Les indispensables de Diapason, featuring six Haydn sonatas played on different keyboards.
In his authoritative booklet notes, Bryce Morrison makes a persuasive argument for the Piano Sonatas in “celebrating Haydn’s endless innovation, richness and variety and, most importantly, his humanity”. Those qualities are brilliantly realised by McCawley in six sonatas spanning 25 years.
Caught on the cusp of youth and maturity, Sonata No.19 is a work of lyrical and dramatic contrasts with a unique structure and surprising innovation. At odds with the inherited image of Haydn as a prankster, Sonata No.47 inhabits a dark, even menacing world that concludes in abrupt savagery. The Bach-accented Sonata No.50 is a work characterised by scintillating writing, Sonata No.54, in Morrison’s memorable phrase, “falls like balm on the ear”.
Ushering in new approaches and radical thinking, two late Sonatas – Nos. 58 and 59 – show Haydn anticipating Beethoven with prescient command of tone and combustible technique.
Leon McCawley’s previous recordings for SOMM have received wide critical praise. Gramophone hailed his complete Rachmaninov Preludes (SOMMCD 0143) as “a distinguished issue”, and the “superb collection” of Samuel Barber’s piano music (SOMMCD 0108) was an Editor’s Choice.
Fanfare described his playing of Brahms (SOMMCD 0116) as “music-making of a very high order” with International Record Review adding: “When all is said and done, it is difficult to know whether McCawley’s refined piano playing, his natural yet cultivated musicality or his boundless imagination warrants the greater praise. You must hear the recording”.
01. Piano Sonata No. 50 in D Major, Op. 30 No. 3, Hob. XVI:37: I. Allegro con brio
02. Piano Sonata No. 50 in D Major, Op. 30 No. 3, Hob. XVI:37: II. Largo e sostenuto
03. Piano Sonata No. 50 in D Major, Op. 30 No. 3, Hob. XVI:37: III. Finale. Presto ma non troppo
04. Piano Sonata No. 54 in G Major, Op. 37 No. 1, Hob. XVI:40: I. Allegretto innocente
05. Piano Sonata No. 54 in G Major, Op. 37 No. 1, Hob. XVI:40: II. Presto
06. Piano Sonata No. 57 in F Major, Hob. XVI:47: I. Adagio
07. Piano Sonata No. 57 in F Major, Hob. XVI:47: II. Allegro
08. Piano Sonata No. 57 in F Major, Hob. XVI:47: III. Finale. Tempo di minuet
09. Piano Sonata No. 47 in B Minor, Hob. XVI:32: I. Allegro moderato
10. Piano Sonata No. 47 in B Minor, Hob. XVI:32: II. Menuet
11. Piano Sonata No. 47 in B Minor, Hob. XVI:32: III. Finale. Presto
12. Piano Sonata No. 58 in C Major, Op. 70, Hob. XVI:48: I. Andante con espressione
13. Piano Sonata No. 58 in C Major, Op. 70, Hob. XVI:48: II. Rondo. Presto
14. Piano Sonata No. 59 in E-Flat Major, Op. 69, Hob. XVI:49: I. Allegro
15. Piano Sonata No. 59 in E-Flat Major, Op. 69, Hob. XVI:49: II. Adagio e cantabile
16. Piano Sonata No. 59 in E-Flat Major, Op. 69, Hob. XVI:49: III. Finale. Tempo di minuet