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Johann Sebastian Bach – Sonatas for Violin and Harpsichord, BWV 1014-1019 – Leila Schayegh, Jorg Halubek (2016) [Official Digital Download 24bit/96kHz]

Johann Sebastian Bach – Sonatas for Violin and Harpsichord, BWV 1014-1019 – Leila Schayegh, Jorg Halubek (2016)
FLAC (tracks) 24 bit/96 kHz  | Time – 01:34:52 minutes | 1,94 GB | Genre: Classical
Studio Masters, Official Digital Download – Source: HighResAudio | Booklet, Front Cover | © Glossa
Recorded: in Achern (Alte Kirche Fautenbach), Germany, on 25-28 June 2015

Two rising stars in today’s firmament of Baroque music performance, Leila Schayegh and Jörg Halubek, join forces to record one of the major challenges in their joint repertory: the six Bach Violin Sonatas, BWV 1014-1019. The collection’s title, Sei Suonate à Cembalo certato è Violino Solo, reflects the close partnership demanded of the violin and harpsichord players, with Bach moving away from the idea of continuo support for a solo instrument and constantly making new technical demands on the musicians and thereby approaching the concept of the triosonata. Completed by around 1725, most of these richlycharacterful works combine the slow-fast-slowfast sequence of movements found in Italian works and a cantabile tone with elements of German contrapuntal style.

The artistic partnership of Schayegh and Halubek, now in its tenth year, has seen them record chamber music by Jean-Marie Leclair, CPE Bach and Giovanni Mossi but the Bach Violin Sonatas represents their first joint recording for Glossa (Schayegh took part in the recent much-acclaimed recording of Caldara Trio Sonatas, Op 1 with Amandine Beyer for the label, as well as regularly having featured on many of La Risonanza’s Glossa releases). As Schayegh and Habulek mention in their shared booklet essay guiding the listener through the Violin Sonatas (and through the 12 represented keys which are also reflected in the set’s graphic design), they have added two movements from the earlier version of the final Sonata, BWV 1019a as a kind of cheerful and delightful encore.

Johann Sebastian Bach (1685-1750)
Sonata I (B minor), BWV 1014
1 I. Adagio 03:15
2 II. Allegro 02:52
3 III. Andante 03:33
4 IV. Allegro 03:08
Sonata II (A major), BWV 1015
5 I. Andante 02:51
6 II. Allegro assai 03:02
7 III. Andante un poco 03:28
8 IV. Presto 04:02
Sonata III (E major), BWV 1016
9 I. Adagio 03:38
10 II. Allegro 02:46
11 III. Adagio ma non tanto 04:45
12 IV. Allegro 03:40
Sonata IV (C minor), BWV 1017
13 I. Siciliano: Largo 04:03
14 II. Allegro 04:18
15 III. Adagio 02:59
16 IV. Allegro 04:12
Sonata V (F minor), BWV 1018
17 I. (Andante) 05:46
18 II. Allegro 04:23
19 III. Adagio 02:49
20 IV. Vivace 02:08
Sonata VI (G major), BWV 1019
21 I. Allegro 03:27
22 II. Largo 01:38
23 III. Allegro 04:21
24 IV. Adagio 02:58
25 V. Allegro 03:20
Sonata VI, BWV 1019a
26 I. Adagio 02:17
27 II. Cantabile, ma un poco adagio 04:20

Leila Schayegh violin [Andrea Guarneri, “Santa Teresia”, Cremona 1675]
Jörg Halubek harpsichord [Hill/Schüler, freely after Taskin, Massachussets/Freiburg 2005]


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