Eddie Harris – Mean Greens (1966/2005)
FLAC (tracks) 24 bit/192 kHz | Time – 39:27 minutes | 1,57 GB | Genre: Jazz
Studio Masters, Official Digital Download | Front Cover | © Rhino Atlantic
It’s easily one of Harris’ best efforts. During his career, the tenor saxophonist’s albums met with a lot of suspicion that almost ran equal with their popularity. Albeit unfair, it was only human that ‘serious’ jazz buffs raised their eyebrows when the instant star Eddie Harris followed up his best-selling 1961 single Exodus To Jazz with a series of like-minded, smooth jazz albums on the VeeJay label. Who could blame Eddie? After playing for years in relative obscurity in his hometown Chicago, Harris finally made his (money) mark. Besides, even if the VeeJay (and subsequent Columbia-) albums leaned heavily on standards and popular concepts such as bossa nova and movie soundtracks, they were high caliber affairs and the style and tone of Harris was unmistakably individual. ‘Sell’ was appropriate, ‘out’ wasn’t.
That Eddie Harris was an upright musician who relished incorporating all sorts of influences into his modern jazz bag, became evident in his Atlantic years. Atlantic, where Harris recorded from 1965 till 1976, proved to be a well-suited canvas for the multi-instrumentalist’s bold strokes. Besides popular music, the label had been in the thick of avant-garde jazz since the late fifties and put a lot of weight into progressive rock in the late sixties, so it isn’t surprising that the label was happy to try for a successful mix of high and low brow. Yes, Harris’ strokes may have been too bold at times. Experimenting with the electric (Varitone) saxophone is a reasonable idea, toying with the ‘guitorgan’, the ‘saxobone’ and electric bongos indicates a lack of direction; his tongue-in-cheek r&b albums of the mid-seventies also were liable to scare off more than a few listeners. On the other hand, Harris’ wildly exciting r&b-drenched live cooperation with Les McCann in 1969, Swiss Movement and the follow-up, 1972’s Second Movement, proved to be two of the saxophonist’s most successful efforts.
1. Various Interprets – Mean Greens
2. Various Interprets – It Was a Very Good Year
3. Various Interprets – Without You
4. Various Interprets – Yeah, Yeah, Yeah
5. Various Interprets – Listen Here
6. Eddie Harris – Blues in the Basement
7. Eddie Harris – Goin’ Home
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