Bob Dylan – Another Side Of Bob Dylan (1964) [SACD 2003] SACD ISO + Hi-Res FLAC

Bob Dylan – Another Side Of Bob Dylan (1964) [SACD 2003]
PS3 Rip | ISO | SACD DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 50:43 minutes | Scans included | 3,04 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | 50:31 mins | Scans | 977 MB

Another Side of Bob Dylan is the fourth studio album by American singer and songwriter Bob Dylan, released on August 8, 1964 by Columbia Records.

The album deviates from the more socially conscious style which Dylan had developed with his previous LP, The Times They Are A-Changin’. The change prompted criticism from some influential figures in the folk community – Sing Out! editor Irwin Silber complained that Dylan had “somehow lost touch with people” and was caught up in “the paraphernalia of fame”.

Despite the album’s thematic shift, Dylan performed the entirety of Another Side of Bob Dylan as he had previous records – solo. In addition to his usual acoustic guitar and harmonica, Dylan provides piano on one selection, “Black Crow Blues”. Another Side of Bob Dylan reached No. 43 in the US (although it eventually went gold), and peaked at No. 8 on the UK charts in 1965.

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Bob Dylan – The Freewheelin’ Bob Dylan (1963) [SACD 2003] SACD ISO + Hi-Res FLAC

Bob Dylan – The Freewheelin’ Bob Dylan (1963) [SACD 2003]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 49:26 minutes | Scans included | 2,02 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) | 24 bit/88,2 kHz | Scans | 0,99 GB

The Freewheelin’ Bob Dylan is the second studio album by American singer-songwriter Bob Dylan, released on May 27, 1963 by Columbia Records. Whereas his debut album Bob Dylan had contained only two original songs, Freewheelin’ represented the beginning of Dylan’s writing contemporary words to traditional melodies. Eleven of the thirteen songs on the album are Dylan’s original compositions. The album opens with “Blowin’ in the Wind”, which became an anthem of the 1960s, and an international hit for folk trio Peter, Paul & Mary soon after the release of Freewheelin’. The album featured several other songs which came to be regarded as amongst Dylan’s best compositions and classics of the 1960s folk scene: “Girl from the North Country”, “Masters of War”, “A Hard Rain’s a-Gonna Fall” and “Don’t Think Twice, It’s All Right”.

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Bobby Timmons – This Here Is Bobby Timmons (1960) [Reissue 2004] MCH SACD ISO + Hi-Res FLAC

Bobby Timmons – This Here Is Bobby Timmons (1960) [Reissue 2004]
SACD Rip | SACD ISO | DST64 2.0 > 1-bit/2.8224 MHz | 37:37 minutes | Front/Rear Covers | 605 MB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 762 MB

Robert Henry “Bobby” Timmons was an American jazz pianist and composer. He was a sideman in Art Blakey’s Jazz Messengers for two periods, between which he was part of Cannonball Adderley’s band. Several of Timmons’ compositions written when part of these bands – including “Moanin'”, “Dat Dere”, and “This Here” – enjoyed commercial success and brought him more attention. “This Here Is Bobby Timmons” is his debut album as leader, recorded in 1960 and originally released on the Riverside label.

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Bob Barnard & The Swedish Jazz Kings – A Tribute To Young Louis (2002) MCH SACD ISO + Hi-Res FLAC

Bob Barnard & The Swedish Jazz Kings – A Tribute To Young Louis (2002)
PS3 Rip | SACD ISO | DST64 2.0 & 4.0 > 1-bit/2.8224 MHz | 60:52 minutes | Scans included | 4,27 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,32 GB

The Swedish Jazz Kings third Opus 3 release is a swinging tribute to Louis Armstrong. Concentrating on a period when Louis was revolutionizing the shape of jazz music, this album contains many tunes from Armstrong’s early repertoire. The sound, as captured by the talented Opus 3 engineers, is even more stunning on SACD. Highly Recommended.

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Booker Ervin – The Freedom Book (1964) [APO Remaster 2017] SACD ISO + Hi-Res FLAC

Booker Ervin – The Freedom Book (1964) [APO Remaster 2017]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 40:08 minutes | Front/Rear Covers | 1,61 GB
or FLAC 2.0 (converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 784 MB

Booker Ervin’s recordings with Charles Mingus and Randy Weston brought him good reviews and a bit of notoriety, but it was his series of Song Books that broadcast the stentorian announcement that a jazz orator of gigantic stature had arrived. The Freedom Book, recorded at the end of 1963, is one of Ervin’s masterpieces. His tenor saxophone sound is haunted by the loneliness and spaciousness of the Texas plains where he was raised. That Southwest moan is an integral part of his playing, but his style goes beyond the classic Texas tenor tradition, incorporating the intricacies of bebop and suggestions of free jazz that initiated one of the periods of self-renewal, keeping jazz fresh and interesting.

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B.W. Stevenson – My Maria & Calabasas (1973 & 1974) [Reissue 2019] MCH SACD ISO + Hi-Res FLAC

B.W. Stevenson – My Maria & Calabasas (1973 & 1974) [Reissue 2019]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 61:25 minutes | Front/Rear Covers | 2,71 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | 60:25 min | F/R Covers | 1,33 GB
2 LP on 1 SACD | Features Stereo and Quadrophonic Surround Sound | Vocalion # CDSML 8565 | Genre: Country, Rock

Louis Charles “B.W.” Stevenson was an American country pop singer and musician, working in a genre now called progressive country. “B.W.” stood for “Buckwheat”. This two-fer SACD combines his 1973 album My Maria with Calabasas, released the following year. Originally these LPs were released separately on RCA, and had been out of print some time. This pleasant and lite country-pop set highlights many original Stevenson compositions, including “Pass This Way”, “(Livin’ It) Day By Day”, “Song for Katy”, and the biggest hit of his career, “My Maria”.

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B.B. King – Reflections (2003) MCH SACD ISO + Hi-Res FLAC

B.B. King – Reflections (2003)
PS3 Rip | ISO | SACD DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 46:18 minutes | Scans included | 3,05 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,01 GB
Features 2.0 Stereo and 5.1 multichannel surround sound

B.B. King was 77 years old when Reflections was released, which perhaps entitled him to reflect back on the song standards the album contained. Despite advancing age, King had already been unusually busy on the recording front for a septuagenarian, turning out the gold-selling duets album Deuces Wild in 1997, Blues on the Bayou in 1998, Let the Good Times Roll: The Music of Louis Jordan in 1999, the double-platinum Riding With the King with Eric Clapton and Makin’ Love Is Good for You in 2000, and the seasonal recording A Christmas Celebration of Hope in 2002. For Reflections, he again worked with Simon Climie, who produced Riding With the King, and collaborated with a session band including such notables as Joe Sample, Nathan East, and Doyle Bramhall II. The songs ranged from pop evergreens like “I’ll String Along With You” and “For Sentimental Reasons” to blues favorites such as Lonnie Johnson’s “Tomorrow Night,” with oddities like “Always on My Mind” thrown in and even a couple of remakes of the earlier King songs “Word of Honor” and “Neighborhood Affair.” The arrangements, which included horn and string parts, left room for King’s distinctive blues guitar work, but really supported his always expressive voice. The result was a confident, easygoing album that stylistically could have been made in 1953 as easily as 2003. Blues purists and aficionados of blues guitar would find it only partially satisfying, but it reflected the breadth of musical taste of an artist who always played the blues but never restricted himself only to blues music or blues fans.

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B.B. King – Live At The Regal (1965) [Japanese Limited SHM-SACD 2011] SACD ISO + Hi-Res FLAC

B.B. King – Live At The Regal (1965) [Japanese Limited SHM-SACD 2011]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 34:52 minutes | Scans included | 1,41 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 724 MB

Features the 2011 DSD mastering based on the Japanese master. Reissue features the high-fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard CD players). DSD Transferred by Manabu Matsumura.

B.B. King is not only a timeless singer and guitarist, he’s also a natural-born entertainer, and on Live at the Regal the listener is treated to an exhibition of all three of his talents. Over percolating horn hits and rolling shuffles, King treats an enthusiastic audience (at some points, they shriek after he delivers each line) to a collection of some of his greatest hits. The backing band is razor-sharp, picking up the leader’s cues with almost telepathic accuracy. King’s voice is rarely in this fine of form, shifting effortlessly between his falsetto and his regular range, hitting the microphone hard for gritty emphasis and backing off in moments of almost intimate tenderness. Nowhere is this more evident than at the climax of “How Blue Can You Get,” where the Chicago venue threatens to explode at King’s prompting. Of course, the master’s guitar is all over this record, and his playing here is among the best in his long career. Displaying a jazz sensibility, King’s lines are sophisticated without losing their grit. More than anything else, Live at the Regal is a textbook example of how to set up a live performance. Talking to the crowd, setting up the tunes with a vignette, King is the consummate entertainer. Live at the Regal is an absolutely necessary acquisition for fans of B.B. King or blues music in general. A high point, perhaps even the high point, for uptown blues.

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B.B. King & Eric Clapton – Riding With The King (2000) [Audio Fidelity 2015] SACD ISO + Hi-Res FLAC

B.B. King & Eric Clapton – Riding With The King (2000) [Audio Fidelity 2015]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 62:02 minutes | Scans included | 2,49 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,11 GB
Mastered for SACD by Steve Hoffman | Audio Fidelity # AFZ-211 | Genre: Rock

The potential for a collaboration between B.B. King and Eric Clapton is enormous, of course, and the real questions concern how it is organized and executed. This first recorded pairing between the 74-year-old King and the 55-year-old Clapton was put together in the most obvious way: Clapton arranged the session using many of his regular musicians, picked the songs, and co-produced with his partner Simon Climie. That ought to mean that King would be a virtual guest star rather than earning a co-billing, but because of Clapton’s respect for his elder, it nearly works the other way around. The set list includes lots of King specialties — “Ten Long Years,” “Three O’Clock Blues,” “Days of Old,” “When My Heart Beats Like a Hammer” — as well as standards like “Hold on I’m Coming” and “Come Rain or Come Shine,” with some specially written and appropriate recent material thrown in, so King has reason to be comfortable without being complacent. The real danger is that Clapton will defer too much; though he can be inspired by a competing guitarist such as Duane Allman, he has sometimes tended to lean too heavily on accompanists such as Albert Lee and Mark Knopfler when working with them in concert. That danger is partially realized; as its title indicates, Riding With the King is more about King than it is about Clapton. But the two players turn out to have sufficiently complementary, if distinct, styles so that Clapton’s supportive role fills out and surrounds King’s stinging single-string playing. (It’s also worth noting that there are usually another two or three guitarists on each track.) The result is an effective, if never really stunning, work.

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B.B. Driftwood – Southward Bound (2012) SACD ISO + Hi-Res FLAC

B.B. Driftwood – Southward Bound (2012)
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 41:02 minutes | Front/Rear Covers | 1,65 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 846 MB
Genre: Folk, R&B, Soul

A name like B.B. Driftwood might lead you to assume that the bearer is a good old Southern bluesman, and this SACD’s title wouldn’t change that impression. But Driftwood, whose real name is Bengt Skoghoft, is about as far from the Southern US as could be. Yet, listening to Southward Bound, one hears echoes of the South and the style of another Opus 3 artist, Eric Bibb – not a bad starting point. But Driftwood is definitely his own man. He wrote all the songs on this album, and unlike Bibb he adds a slight rock ‘n’ roll edge to his basic blues base. He also throws in a dash of gospel, country, and R&B. Along with the catchy tunes, these help keep the music fresh and interesting.

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Xuefei Yang – Heartstrings (2015) SACD ISO + Hi-Res FLAC

Xuefei Yang – Heartstrings (2015)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 70:19 minutes | Front/Rear cover | 2,82 GB
or FLAC 2.0 (converted with foobar2000 to tracks) 24bit/96 kHz | Front/Rear cover | 1,29 GB

Xuefei Yang was born in Beijing, now based in the UK, acclaimed as one of the world’s finest classical guitarists. She’s won numerous prizes in music competitions. Having previously recorded albums of Bach and Britten, on this disc Yang has chosen to explore her own cultural roots, managing to bring different narratives and styles together with great success. This is her debut on Decca label and the album features nineteen pieces ranging from Chinese folk melody to Jazz hits and Spanish guitar to Classics.

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Xandria – Ravenheart (2004) MCH SACD ISO + Hi-Res FLAC

Xandria – Ravenheart (2004)
PS3 Rip | ISO | DST 64 2.0 & 5.1 > 1-bit/2.8224 MHz | 50 minutes | Scans included | 4,06 GB
or FLAC 2.0 (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,08 GB
Genre: Metal

Female-fronted symphonic/goth metal band Xandria broke into the German music mainstream in 2004 with their second album, Ravenheart. Though many argue that the band isn’t genuinely metal, Xandria garnered a sizable following in Germany and a growing following internationally; in particular, the band’s flair for exotic themes and Middle Eastern motifs contributed to its appeal, as did its English-language lyrics.

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Xuefei Yang – Romance de Amor (2006) DSF DSD64

Xuefei Yang – Romance de Amor (2006)
DSF Stereo DSD64/2.82MHz  | Time – 01:00:32 minutes | 2,39 GB | Genre: Classical
Source: ISO SACD | © EMI Classics | Front Cover

debut with this EMI disc Romance de Amor. The program consists of the usual classical guitar bonbons mixed in with popular numbers mixed in — the tango “La Cumparsita” and the Beatles’ “Michelle” and Paul Simon’s version of “El Condor Pasa” for example, and a couple of traditional Chinese songs, as well. The program, in and of itself, is not that interesting, but it doesn’t matter. Xue Fei Yang is an incredible guitarist — technically top drawer, warmly expressive in sound, and mind-bogglingly facile in her digital dexterity. Just listen to the attack on Rodrigo’s Zapateado; she is able to vary her touch on the strings with lightning speed and pinpoint accuracy.

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Olga Martynova – Harpsichord Gems, Vol. 5 – Bach, J.S. – English Suites (2009) DSF DSD64

Olga Martynova – Harpsichord Gems, Vol. 5 – Bach, J.S. – English Suites (2009)
DSD64 (.dsf) 1 bit/2,82 MHz | Time – 02:26:57 minutes | 5,81 GB | Genre: Classical
Official Digital Download – Source: nativeDSDmusic | Digital Booklet | © Caro Mitis

The French word ‘suite’ was quickly adopted throughout the European continent. The primary meaning (‘set, sequence’) has been preserved in widely diverse contexts – in ceremonial or court vocabulary (a group of attendants accompanying an important personage), and as an architectural term (an enfilade or series of rooms). But perhaps the word gained most currency in the world of music. As we know, the suite is a favoured cyclical form of baroque instrumental music, representing a series of dance-based pieces that are complementary in the type of movement and unified by a single key (and initially, by the common melodic source).

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Olga Martynova – Harpsichord Gems, Vol. 4 – Everything You Always Wanted to Know About Harpsichord, But Were Afraid to Ask (2007) DSF DSD64

Olga Martynova – Harpsichord Gems, Vol. 4 – Everything You Always Wanted to Know About Harpsichord, But Were Afraid to Ask (2007)
DSD64 (.dsf) 1 bit/2,82 MHz | Time – 01:00:57 minutes | 2,35 GB | Genre: Classical
Official Digital Download – Source: nativeDSDmusic | Digital Booklet | © Caro Mitis

Nowadays many performers want to play music written for piano on the harpsichord. I began my conversation with Olga Martynova by asking what first gave her the idea. It all began a few years ago. I was curious to know how music written for another instrument would sound when played on the harpsichord. I knew that Shostakovich and Prokofiev had been played on the harpsichord but had never listened to any recordings, maybe as a conscious decision. True, I have heard contemporary music written for harpsichord, but I find it sometimes even harder to play than other compositions that were never originally intended for the instrument.

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