Duke Jordan – Flight To Jordan (1960) [Analogue Productions Remastered 2011] SACD ISO + Hi-Res FLAC

Duke Jordan – Flight To Jordan (1960) [Analogue Productions Remastered 2011]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 47:55 minutes | Scans included | 1,95 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 915 MB

The second of trumpeter Freddie Hubbard’s two Impulse albums features the 25-year old in three separate settings. He is heard along with a tenor-saxophonist backed by strings (“Skylark,” “I Got It Bad” and “Chocolate Shake” are all given beautiful treatments), with a 16-piece band and in a septet with Eric Dolphy and Wayne Shorter. This well-rounded and highly recommended showcase shows why Freddie Hubbard was considered the top trumpeter to emerge during the early ’60s. ~ AcousticSounds

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Duke Ellington – Supreme Jazz (2006) MCH SACD ISO + Hi-Res FLAC

Duke Ellington – Supreme Jazz (2006)
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 65:54 mins | Scans included | 3,68 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,15 GB
Features 2.0 Stereo and 5.1 multichannel surround sound | Label: Membran Music Ltd.

Duke Ellington was the most important composer in the history of jazz as well as being a bandleader who held his large group together continuously for almost 50 years. The two aspects of his career were related; Ellington used his band as a musical laboratory for his new compositions and shaped his writing specifically to showcase the talents of his bandmembers, many of whom remained with him for long periods. Ellington also wrote film scores and stage musicals, and several of his instrumental works were adapted into songs that became standards. In addition to touring year in and year out, he recorded extensively, resulting in a gigantic body of work that was still being assessed a quarter century after his death.

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Duke Ellington & John Coltrane – Duke Ellington & John Coltrane (1962) [Analogue Productions 2010] SACD ISO + Hi-Res FLAC

Duke Ellington & John Coltrane – Duke Ellington & John Coltrane (1962) [Analogue Productions 2010]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 34:44 minutes | Scans included | 1,07 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 721 MB

For this classic encounter, Duke Ellington “sat in” with the John Coltrane Quartet for a set dominated by Ellington’s songs; some performances have his usual sidemen (bassist Aaron Bell and drummer Sam Woodyard) replacing Jimmy Garrison and Elvin Jones in the group. Although it would have been preferable to hear Coltrane play in the Duke Ellington orchestra instead of the other way around, the results are quite rewarding. Their version of “In a Sentimental Mood” is a high point, and such numbers as “Take the Coltrane,” “Big Nick,” and “My Little Brown Book” are quite memorable. Ellington always recognized talent, and Coltrane seemed quite happy to be recording with a fellow genius.

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Duke Ellington & His Orchestra – Masterpieces by Ellington (1951) [Analogue Productions 2014] SACD ISO + DSF DSD64 + Hi-Res FLAC

Duke Ellington & His Orchestra – Masterpieces by Ellington (1951) [Analogue Productions 2014]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 55:38 minutes | Front Cover | 2,23 GB
or DSD64 2.0 Mono (from SACD-ISO to Tracks.dsf) > 1-bit/2.8224 MHz | Front Cover | 2,19 GB
or FLAC Mono (carefully converted & encoded to tracks) 24bit/96kHz | Front Cover | 1,09 GB

Masterpieces by Ellington is the first LP album by American pianist, composer, and bandleader Duke Ellington, recorded for the Columbia label in 1950. It was one of the earliest 12-inch LPs to take advantage of the extended time available and consisted of four tracks, three of them “concert arrangements” of Ellington standards and one, “The Tattooed Bride”, a recent tone poem. The original 1951 release under the “Columbia Masterworks” banner featured a red cover which was replaced by the more modern blue cover in 1956. This album was re-released with additional bonus tracks recorded at later sessions from 1951.

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Duke Ellington – Blues In Orbit (1960) [MFSL 1999] SACD ISO + Hi-Res FLAC

Duke Ellington – Blues In Orbit (1960) [MFSL 1999]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 36:02 minutes | Scans included | 1,47 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 889 MB
Mobile Fidelity Sound Lab # UDCD 757

Blues in Orbit is an album by American pianist, composer and bandleader Duke Ellington recorded for the Columbia label in 1959 and released in 1960.

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Duke Ellington and Count Basie – First Time! The Count Meets the Duke (1961) [Reissue 2002] SACD ISO + Hi-Res FLAC

Duke Ellington and Count Basie – First Time! The Count Meets the Duke (1961) [Reissue 2002]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 73:23 minutes | Scans included | 3,00 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 1,53 GB

At first glance this collaboration should not have worked. The Duke Ellington and Count Basie Orchestras had already been competitors for 25 years but the leaders’ mutual admiration (Ellington was one of Basie’s main idols) and some brilliant planning made this a very successful and surprisingly uncrowded encounter. On most selections Ellington and Basie both play piano (their interaction with each other is wonderful) and the arrangements allowed the stars from both bands to take turns soloing. “Segue in C” is the highpoint but versions of “Until I Met You,” “Battle Royal” and “Jumpin’ at the Woodside” are not far behind.

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Duke Ellington And Coleman Hawkins – Duke Ellington Meets Coleman Hawkins (1963) [APO 2010] SACD ISO + Hi-Res FLAC

Duke Ellington And Coleman Hawkins – Duke Ellington Meets Coleman Hawkins (1963) [APO 2010]
PS3 Rip | SACD ISO | DSD64 Stereo > 1-bit/2.8224 MHz | 38:54 minutes | Scans included | 1,67 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 838 MB
Analogue Productions Remaster 2010

This set documents a historic occasion. Although Coleman Hawkins had been an admirer of Duke Ellington’s music for at least 35 years at this point and Ellington had suggested they record together at least 20 years prior to their actual meeting in 1962, this was their first (and only) meeting on record. Although it would have been preferable to hear the great tenor performing with the full orchestra, his meeting with Ellington and an all-star group taken out of the big band does feature such greats as Ray Nance on cornet and violin, trombonist Lawrence Brown, altoist Johnny Hodges, and baritonist Harry Carney. High points include an exuberant “The Jeep Is Jumpin’,” an interesting remake of “Mood Indigo,” and a few new Ellington pieces. This delightful music is recommended in one form or another.

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Dire Straits – Alchemy: Dire Straits Live (1984) [Japanese Limited SHM-SACD 2012] SACD ISO + Hi-Res FLAC

Dire Straits – Alchemy: Dire Straits Live (1984) [Japanese Limited SHM-SACD 2012]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 89:13 minutes | Scans included | 3,58 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 1,71 GB

Reissue features the high-fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard CD players). DSD Transferred by Manabu Matsumura.

There is an interesting contrast on this 94-minute double-disc live album (recorded at London’s Hammersmith Odeon in July 1983) between the music, much of which is slow and moody, with Mark Knopfler’s muttered vocals and large helpings of his fingerpicking on what sounds like an amplified Spanish guitar, and the audience response. The arena-size crowd cheers wildly, and claps and sings along when given half a chance, as though each song were an up-tempo rocker. When they do have a song of even medium speed, such as “Sultans of Swing” or “Solid Rock,” they are in ecstasy. That Dire Straits’ introspective music loses much of its detail in a live setting matters less than that it gains presence and a sense of anticipation. Alan Clark’s keyboards help to fill out the sound and give Knopfler’s spare melodies a certain majesty, but Dire Straits remains an overgrown bar band with a Bob Dylan fixation, and that’s exactly how the crowd likes it.

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Dire Straits – Love Over Gold (1982) [Japanese Limited SHM-SACD 2011] SACD ISO + Hi-Res FLAC

Dire Straits – Love Over Gold (1982) [Japanese Limited SHM-SACD 2011]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 41:20 minutes | Scans included | 1,67 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 792 MB

Reissue features the high-fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard CD players). DSD Transferred by Manabu Matsumura.

Adding a new rhythm guitarist, Dire Straits expands its sounds and ambitions on the sprawling Love Over Gold. In a sense, the album is their prog rock effort, containing only five songs, including the 14-minute opener “Telegraph Road.” Since Mark Knopfler is a skilled, tasteful guitarist, he can sustain interest even throughout the languid stretches, but the long, atmospheric, instrumental passages aren’t as effective as the group’s tight blues-rock, leaving Love Over Gold only a fitfully engaging listen.

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Dire Straits – Making Movies (1980) [Japanese Limited SHM-SACD 2012] SACD ISO + Hi-Res FLAC

Dire Straits – Making Movies (1980) [Japanese Limited SHM-SACD 2012]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 38:25 minutes | Scans included | 1,55 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 771 MB

Reissue features the high-fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard CD players). DSD Transferred by Manabu Matsumura.

Without second guitarist David Knopfler, Dire Straits began to move away from its roots rock origins into a jazzier variation of country-rock and singer/songwriter folk-rock. Naturally, this means that Mark Knopfler’s ambitions as a songwriter are growing, as the storytelling pretensions of Making Movies indicate. Fortunately, his skills are increasing, as the lovely “Romeo and Juliet,” “Tunnel of Love,” and “Skateaway” indicate. And Making Movies is helped by a new wave-tinged pop production, which actually helps Knopfler’s jazzy inclinations take hold. The record runs out of steam toward the end, closing with the borderline offensive “Les Boys,” but the remainder of Making Movies ranks among the band’s finest work.

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Dire Straits – Communiqué (1979) [Japanese Limited SHM-SACD 2012] SACD ISO + Hi-Res FLAC

Dire Straits – Communiqué (1979) [Japanese Limited SHM-SACD 2012]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 42:35 minutes | Scans included | 1,71 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 840 MB

Reissue features the high-fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard CD players). DSD Transferred by Manabu Matsumura.

Rushed out less than nine months after the surprise success of Dire Straits’ self-titled debut album, the group’s sophomore effort, Communiqué, seemed little more than a carbon copy of its predecessor with less compelling material. Mark Knopfler and co. had established a sound (derived largely from J.J. Cale) of laid-back shuffles and intricate, bluesy guitar playing, and Communiqué provided more examples of it. But there was no track as focused as “Sultans of Swing,” even if “Lady Writer” (a lesser singles chart entry on both sides of the Atlantic) nearly duplicated its sound. As a result, Communiqué sold immediately to Dire Straits’ established audience, but no more, and it did not fare as well critically as its predecessor or its follow-up.

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Dire Straits – Dire Straits (1978) [Japanese Limited SHM-SACD 2010] SACD ISO + Hi-Res FLAC

Dire Straits – Dire Straits (1978) [Japanese Limited SHM-SACD 2010]
PS3 Rip | ISO | SACD DSD64 2.0 > 1-bit/2.8224 MHz | 41:49 minutes | Scans included | 1,68 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 833 MB

Reissue features the high-fidelity SHM-SACD format (fully compatible with standard SACD player, but it does not play on standard CD players) and the latest DSD mastering in 2010 based on Japanese original analog tape. DSD Transferred by Hitoshi Takiguchi.

Dire Straits’ minimalist interpretation of pub rock had already crystallized by the time they released their eponymous debut. Driven by Mark Knopfler’s spare, tasteful guitar lines and his husky warbling, the album is a set of bluesy rockers. And while the bar band mentality of pub-rock is at the core of Dire Straits — even the group’s breakthrough single, “Sultans of Swing,” offered a lament for a neglected pub rock band — their music is already beyond the simple boogies and shuffles of their forefathers, occasionally dipping into jazz and country. Knopfler also shows an inclination toward Dylanesque imagery, which enhances the smoky, low-key atmosphere of the album. While a few of the songs fall flat, the album is remarkably accomplished for a debut, and Dire Straits had difficulty surpassing it throughout their career.

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Dredg – El Cielo (2002) [Reissue 2003] MCH SACD ISO + Hi-Res FLAC

Dredg – El Cielo (2002) [Reissue 2003]
PS3 Rip | ISO | SACD DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 57:18 minutess | Scans included | 3,76 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | 57:12 mins | Scans included | 1,13 GB
Progressive Rock / Art-Rock | Features 2.0 Stereo and 5.1 multichannel surround sound | Interscope # B0000798-36

Dredg is one of those rare bands who truly cannot be categorized. Gavin Hayes’ vocals cascade like a waterfall over a sea of scratching Latin rhythms, dulcimers, guitars in odd time signatures, and prog rock-inspired drums. Hayes shares his penchant for Bulgarian chants in “Triangle” and “Same Ol’ Road.” “Whoa Is Me” could provide the soundtrack to all things haunted. Whether it’s a piano and strings or Cure-influenced (specifically the Cure’s “Fascination Street”) guitars, instruments fill the time between songs on El Cielo. They offer a respite from the monotony and the slow-fast-slow style of songwriting. In an odd moment at the end of “Whoa Is Me,” a soft-spoken public radio DJ speaks of a jazz number from 1944. The full-throttle rocker “It Only Took a Day” is one of the highlights. El Cielo is unlikely to become a hit on commercial radio, but perhaps Dredg could find their niche on college stations.

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Dr. Teleny’s & Ettore Stratta – Stolen Goods & Viva Vivaldi (1972 & 1974) [Reissue 2019] MCH SACD ISO + Hi-Res FLAC

Dr. Teleny’s & Ettore Stratta – Stolen Goods & Viva Vivaldi (1972 & 1974) [Reissue 2019]
SACD Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 66:20 minutes | Scans included | 3,12 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/96 kHz | Full Scans included | 1,56 GB
2 LP on 1 SACD | Features Stereo and Quadrophonic Surround Sound | Vocalion # CDSML 8552

A pair of very unusual albums – back to back on a single CD! Stolen Goods is a totally cool, totally groovy album from the 70s – one that features large orchestral arrangements of themes from the classics – but all augmented with plenty of wild contemporary touches! There’s moogy electronics, funky drums, wordless vocals, and lots of other hip 70s elements – including the kind of horn section that would have made Mozart, Chopin, or Beethoven wince – had they lived long enough to hear the approach to their songs served up on this British album! From what we can tell, Dr Teleny is Zack Laurence – who’s billed as the musical director on the album – serving up transformed tunes with titles that include “Power Play”, “Wild Turkey”, “Rhapsody From Hunger”, “Superjoy”, “Johann Sebastian Rock”, and “The People Yes”. Next up is Viva Vivaldi, served up by Italian conductor Ettore Stratta – who you’ll know from both sound track and easy instrumental modes – getting a lot of hip help here from arranger Chico O’Farrill! The songs are all from Vivaldi – as you’d guess from the title – but Chico’s charts add in plenty of sweet 70s touches, including electric bass, keyboards, and other instrumentation that moves things way past the baroque generation – even making some tunes groove in a surprising way. There’s still enough strings in play to tie the songs to classical roots – and titles include “Gloria Allegro”, “Mandolin Concerto In C Adagio”, “Suite From Four Seasons”, “Flute Concerto In D”, “Concerto In E”, and “Concerto In G For Two Mandolins”.

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Dr. L. Subramaniam and Larry Coryell – From The Ashes (2001) SACD ISO + Hi-Res FLAC

Dr. L. Subramaniam and Larry Coryell – From The Ashes (2001)
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 45:30 minutes | Artwork | 2,1 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Complete Artwork | 790 MB

A stunning improvised collaboration for fans of any kind of string instruments, From the Ashes brings together Dr. L. Subramaniam and Larry Coryell.

Subramaniam & Coryell’s collaborative efforts go as far back as 1978, on an energetic cerebral exercise, “Spiritual Dance.” They’ve worked together numerous times, but on this occasion, the studio date was the stage for emotional closure for Subramaniam, who lost his wife. This album is a metaphoric “Taj Mahal” for Subramaniam, meaning this is his memorial to his beloved, just like that of the Indian aristocrat who commissioned the world famous landmark for that same purpose. Although Karnatak sounds stoic, Subramaniam ably fills emotion to the brim without losing Karnatak’s musical vision. “The Way You Placed My Bow” has the guitar & violin reply to the call of the otherworld, represented by a mournful drone. Coryell splashes folk like elements while Subramaniam expresses his everlasting emotional ties to his wife in “Beyond the Flames.” They perform some “Eastern blues” in “Love is Stronger than Death,” leaving an afterglow of eeriness within a transcendental setting, with its conclusion Coryell’s harmonic gesture. “Alone in the Ganges” relates to setting a departed’s physical remains into the Ganges, symbolizing death as part of life’s cycle. Here, Coryell expresses such, intensifying in volume & speed but without exaggeration.

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