Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Bach: Cantatas for Soprano (2017) [Official Digital Download 24bit/96kHz]

Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Bach: Cantatas for Soprano (2017)
FLAC (tracks) 24 bit/96 kHz | Time – 01:03:02 minutes | 1,13 GB | Genre: Classical
Studio Masters, Official Digital Download | Front Cover | © harmonia mundi

The three Bach cantatas presented on this album belong to the composer’s Weimar period (where he lived and worked from 1708 to 1717), written between 1711 and 1714. Bach was still a young composer then, but the full body of his artistry is already present, and one can but shake the head in disbelief: where did the fellow find the source of such intense emotion, such harmonic and melodic boldness? The beginning of “Weichet nur, betrübte Schatten” (“Yield now, troubling shadows”) unfolds a succession of harmonies which seem to have no logical link with each other, some kind of non-tonality – this being the way the composer describes in music the aforementioned lugubrious shadows. Arias alternately heartbreaking and tender, instrumental inventiveness, you name it, Bach has it. Soprano Carolyn Sampson, accompanied by the Freiburger Barockorchester (together with baritone Andreas Wolf for the cantata “Tritt auf die Glaubensbahn”), lends her voice with dedication to the music, combining the teachings of historically informed performance with a solid sense of emotion, indispensable for such masterpieces.

Tracklist:
1-01. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Weichet Nur, Betrübte Schatten, BWV 202: I. Aria “Weichet nur, betrübte Schatten” (06:37)
1-02. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Weichet Nur, Betrübte Schatten, BWV 202: II. Recitativo “Die Welt wird wieder neu” (00:25)
1-03. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Weichet Nur, Betrübte Schatten, BWV 202: III. Aria “Phoebus eilt mil schnellen Pferden” (03:31)
1-04. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Weichet Nur, Betrübte Schatten, BWV 202: IV. Recitativo “Drum sucht auch Amor sein Vergnügen” (00:37)
1-05. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Weichet Nur, Betrübte Schatten, BWV 202: V. Aria “Wenn die Frühlingslüfte streichen” (02:52)
1-06. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Weichet Nur, Betrübte Schatten, BWV 202: VI. Recitativo “Und dieses ist das Glücke” (00:42)
1-07. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Weichet Nur, Betrübte Schatten, BWV 202: VII. Aria “Sich üben im Lieben” (04:19)
1-08. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Weichet Nur, Betrübte Schatten, Bwv 202: VIII. Recitativo “So Sei Das Band Der Keuschen Liebe” (00:23)
1-09. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Weichet Nur, Betrübte Schatten, BWV 202: IX. Gavotte Sehet in Zufriedenheit (01:40)
1-10. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Tritt auf die Glaubensbahn, BWV 152: I. Sinfonia (03:18)
1-11. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Tritt auf die Glaubensbahn, BWV 152: II. Aria “Tritt auf die Glaubensbahn” (bass) (02:40)
1-12. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Tritt auf die Glaubensbahn, BWV 152: III. Recitativo “Der Heiland ist gesetzt” (bass) (02:00)
1-13. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Tritt auf die Glaubensbahn, BWV 152: IV. Aria “Stein, der über alle Schätze” (soprano) (04:36)
1-14. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Tritt auf die Glaubensbahn, BWV 152: V. Recitativo “Es ärgre sich die kluge Welt” (bass) (01:21)
1-15. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Tritt auf die Glaubensbahn, BWV 152: VI. Aria “Wie soll ich dich, Liebster der Seele, umfassen?” (duetto) (04:23)
1-16. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Mein Herze schwimmt im Blut, BWV 199: I. Recitativo “Mein Herze schwimmt im Blut” (02:00)
1-17. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Mein Herze schwimmt im Blut, BWV 199: II. Aria “Stumme Seufzer, stille Klagen” (07:46)
1-18. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Mein Herze schwimmt im Blut, BWV 199: III. Recitativo “Doch Gott muß mir genädig sein” (01:00)
1-19. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Mein Herze schwimmt im Blut, BWV 199: IV. Aria “Tief gebückt und voller Reue” (07:51)
1-20. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Mein Herze schwimmt im Blut, BWV 199: V. Recitativo “Auf diese Schmerzensreu” (00:12)
1-21. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Mein Herze schwimmt im Blut, BWV 199: VI.Choral “Ich, dein betrübtes Kind” (01:45)
1-22. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Mein Herze schwimmt im Blut, BWV 199: VII. Recitativo “Ich lege mich in diese Wunden” (00:44)
1-23. Carolyn Sampson, Freiburger Barockorchester, Petra Müllejans – Mein Herze Schwimmt Im Blut, Bwv 199: VIII. Aria “Wie Freudig Ist Mein Herz” (02:10)

Personnel:
Carolyn Sampson, soprano
Andreas Wolf, bass-baritone
Freiburger Barockorchester
Petra Müllejans, conductor

Download:

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