Itzhak Perlman, Lynn Harrell, Vladimir Ashkenazy – Tchaikovsky: Piano Trio (1980/2012)
FLAC (tracks) 24 bit/96 kHz | Time – 49:16 minutes | 904 MB | Genre: Classical
Studio Master, Official Digital Download | Source: Qobuz | @ Warner Classics/Erato
Features 2011 EMI Remaster
This brilliant audiophile download brings together the exquisite trio of Itzhak Perlman, Vladimir Ashkenazy and Lynn Harrell. The trio displays effortless virtuosity and lyricism, delivering a flawless rendition of a true masterpiece. The album would win the GRAMMY® for Best Chamber Music Performance. This album is absolutely essential.
Tracklist:
01 – Piano Trio in A Minor, Op.50: Pezzo elegiaco
02 – Piano Trio in A Minor, Op.50: Tema: Andante con moto
03 – Piano Trio in A Minor, Op.50: Variation I: Cantabile
04 – Piano Trio in A Minor, Op.50: Variation II: Più mosso
05 – Piano Trio in A Minor, Op.50: Variation III: Allegro moderato
06 – Piano Trio in A Minor, Op.50: Variation IV: L’istesso tempo
07 – Piano Trio in A Minor, Op.50: Variation V: L’istesso tempo
08 – Piano Trio in A Minor, Op.50: Variation VI: Tempo di Valse
09 – Piano Trio in A Minor, Op.50: Variation VII: Allegro moderato
10 – Piano Trio in A Minor, Op.50: Variation VIII: Fuga: Allegro moderato
11 – Piano Trio in A Minor, Op.50: Variation IX: Andante febile, ma non tanto
12 – Piano Trio in A Minor, Op.50: Variation X: Tempo di Mazurka
13 – Piano Trio in A Minor, Op.50: Variation XI: Moderato
14 – Piano Trio in A Minor, Op.50: Final Variation and Coda: Allegro risoluto e con fuoco – Andante con moto – Lugubre: L’istesso tempo
About the Mastering:
Four engineers at Abbey Road Studios in London have remastered these historic EMI recordings from their original analogue sources for release in pristine hi-def. Between them, Simon Gibson, Ian Jones, Andy Walter and Allan Ramsay have many years of experience remastering archive recordings for EMI and other record labels. The process always starts with finding all of the records and tapes in EMI’s archive in London and comparing different sources and any previous CD reissues. We consult each recording’s job file, which contains notes about the recording made by the engineer and producer. For example, this sometimes explain why there is more than one set of tapes to choose from. All of the tapes are generally in good condition and we play them on our Studer A80 π inch tape machine, after careful calibration of its replay characteristics.
In order to have the best digital remastering tools at our disposal for the remastering, we transfer from analogue to the digital domain at 96 KHz and 24-bit resolution using a Prism ADA-8 converter and capture the audio to our SADiE Digital Audio Workstation. (Simon Gibson, January 2012)
Download: